Julian’s Photo Journal #2

Hello all, and welcome to the second Julian’s Photo Journal!  Recently, with the help of Joan Bowen, the Goat Show Doc crew covered a bathing/clipping session for Chammy, one of the Bowen’s Saanens.  How many filmmakers does it take to wash and clip a goat?  Find out below…

The unsuspecting Chammy stands by as the crew covers her from all “before” angles.

Now that’s a beard to be proud of.

A standard ear tattoo – required for all goats for identification purposes.

Joan cradling Chammy’s face.

Chammy looks suspiciously back at Trevor…what are these humans doing?

Time for the hose-down.

Hose-down 2.

Helena’s intense hosing face.

That’s a wet goat!

Soaping up the face.

Bye beard.

One second it was there…the next it was gone.

One patch at a time.

Moving right along.

Keeping Chammy still.

Not the first time she’s been on a goat.

That ain’t snow.

Right down the middle.

Lookin’ good, Chammy.

Thanks for stopping by!  Stay tuned for #3, coming soon!

Preview of the Ranch!

Hey National Show Goers!

I’m sure you’re all psyched to see where you’ll be this July and I have a sneak preview for you!  Three photos taken in the barns where goats will be held at the Ranch.  Of course, there will be goat pens instead of horse stalls, and the event manager at The Ranch said they will likely have all the doors open during the show.  But you get the idea.  For more pics, check out The Ranch’s website: http://www.larimer.org/theranch/

Click on each photo to see a larger version.

The Ranch-Way Indoor Pavillion.  Picture hundreds of goat pens here…

Waiting for the goats to arrive…

Indoor barn (w/ horse stalls instead of goat pens…)

ADGA: “D” is for “Dairy”

Hello Friends, Family, Fans and Followers!

I just wanted to post an update in response to several ADGA members’ concerns about not focusing on the DAIRY aspect of DAIRY goats. I now know that I did not emphasize this part of the documentary enough in my letter to ADGA members. I was hoping that interested members would go to my Kickstarter, Blog, Facebook or Twitter for more detailed information on my plans. Let me clarify all of your concerns!

If you know my mother, you know that my heart is true to the Saanen breed. Growing up, my mother always emphasized high milk production over winning in the show ring. I showed goats for 16 years and learned that breed characteristics exist for a reason: judges look for physical traits that yield high productivity NOT just pretty goats. I understand that “dairy character” is one of the most important categories in which goats are judged.

The reason I am dedicating a year and a half of my life to this project is that I wish to reach a larger audience than ADGA. If I produced a documentary championing the values of goats, I’m sure many ADGA members would be interested, but I know from experience that the average non-goat-owner couldn’t care less. I have pitched this project to countless people and every time I describe it as a documentary about goats their eyes glazed over, but when I say: “imagine hundreds of goat owners driving cross-country with their goats to meet in one place for one week,” their interest is suddenly piqued. This is one of the biggest reasons for the documentary’s main location. The National Show represents America’s pride and passion for dairy goats. When viewers see all the love, care and enthusiasm at the show, I hope they will ask, “wait– why goats?” at which point I will say “good question, this is why.” The National Show is a platform I can build on. Non-goat-owning audiences will be more responsive to learning about goats if they are having fun and being entertained at the same time.

This brings me to educating viewers about dairy goats– emphasis on dairy. In my Kickstarter video I listed my three biggest goals. This is what I said about goal number one:

“Number one: promote the goat. The goat is by far the most misunderstood animal in American pop culture. Books, movies, TV shows, cartoons all portray them as dirty, grumpy lazy animals, but those of us in the goat industry know otherwise. In fact, they are a thriving, healthy productive animal that is integral to the world’s food and fiber industries.”

I plan on extensively focusing on the dairy aspect of goats- at the National Show and beyond. In fact, my crew and I will be traveling North to visit Jennifer & Scott Bice of Redwood Hill and Jack & Pinky Hawes of Laurelwood. We will also be traveling around Colorado visiting commercial dairies and focusing on other milk products, such as soap.

One more clarification: I’m sure that the title “The Goat Show Documentary” is also deceiving. This is simply a “working title”– it is purely for identification and fundraising. Once in post-production, we plan on coming up with a real title for the film. You may be interested to know that when my crew and I were brainstorming titles in the early days, “Dairy Queens” and “Dairy Characters” were two of our favorites. However, we don’t want to decide on a title until the film is finished.

Please contact me directly if you have any questions about the film. As producer / director / camera operator / editor, I am by far the best source of information on the film and will be happy to tell you about it. Unfortunately I do not belong to many of the goat email lists and online groups, so I have to rely on friends and family members to forward me what other people are asking about the film. Again, please, please, please contact me if you have any questions, concerns or clarifications.

Or for any other reason. I enjoy getting emails and snail mail.  Comments are welcomed on this blog!

Thank you for listening!

Helena

Cookies and Cream

I was born into ADGA.  My mother, Joan Bowen, already owned a herd of Saanens and had been working with dairy goats as a veterinarian for twenty years when I was born.  My life has never been goat-less.  When I was three I got the first goat of my own, Cookie (her sister’s name was Bookie– yes, I was a goat-naming genius at an early age).  Cookie gave birth to Cream, Cream gave birth to Créme de la Cream and Cream Puff, they gave birth to Cheese Puff, and so on.  My line of C-named goats still thrives twenty years later at the Bowen farm with Chamrock (born on St. Patrick’s Day), Cream Puff (nicknamed “Puff”, who is now very old) and Cameo (a yearling).  While the remaining C’s are more like pets than hard-working show goats, I will never forget the joy goat showing brought me as a child.  In fact, the very first time I won Best in Show (with Cookie, of course) it was the late ADGA judge Karen Senn who took a chance on me and my favorite doe.  For 16 years I showed goats every summer, and the last show I participated in brought me full circle.  Cream, a permanent champion and aged doe at the time, came along to shows with us for company but not to participate.  At the last show of the summer, not very many people showed up and there were not enough Saanens to sanction the breed.  I entered Cream to boost the numbers, and to everyone’s surprised, my beloved aged doe and I were in the Best in Show line-up by the end of the day.  I will never forget this moment and look back on it as the highlight of my showing years.  Cream and I didn’t win that day, but it was great to see my favorite goat back at the top at the end of her career.

This is one of the many reasons I am working daily on producing this goat-showing documentary.  Most Americans have never even heard of goat showing– but it is so fun and so important to those involved!  Please subscribe to this blog, our facebook, and our twitter!  Spread the word to your friends!  There is a lot of hard work ahead of us, but I know in the end this documentary will be the pride and joy of the American goat-showing community.

Welcome!

“Goat Show,” a yet-to-be titled documentary about goat showing, is a work in progress by dream team Helena Bowen, Trevor Taylor and Julian Broudy.

WHO:

Helena Bowen, professional camera assistant and aspiring DP, is the so-called “brains of the operation.”  She has the goat-show know-how, the documentary experience and the drive to turn this crazy culture into a fascinating story.  She’s a director, she’s a producer, she’s a camera operator, she’s an editor, she’s a bird AND a plane.

Trevor Taylor, professional camera assistant and aspiring DP, is all about making this documentary look AMAZING.  Trevor was born with a camera in his hands and makes beautiful images like it was his job (and it is).  Trevor knows absolutely nothing about goat-showing or goats but is stoked for the experience.

Julian Broudy, camera assistant by mandate / association and aspiring screenwriter/director, is in charge of keeping Helena and Trevor in check.  What is a beautiful movie without an amazing plot?  (The Tree of Life, but that’s another story.)  Julian’s job is to help Helena and Trevor craft insane amounts of footage into a fun story.  He is also the dedicated morale booster.

WHAT: The 2012 American Dairy Goat Association National Show

WHERE: Loveland, Colorado

WHEN: July 7th – 14th 2012

WHY: What happens when hundreds of goat owners drive across the country with their goats and meet in one place for one week?  Wouldn’t you like to know.